NEWS EDITORIAL
Wanda Tuerlinckx: Androids
In the work of Flemish photographer Wanda Tuerlinckx (b.1969, Belgium) the world of science and art collide, resulting in fascinating images that question today's technologically advanced society and the ever-evolving relationship between humans and machines. In her series ‘Androids’ she documents the continuously accelerating developments of the current robot revolution.
Liv Liberg: Sister Sister
Liv Liberg (b. 1992) started photographing at the age of ten, and her four year younger sister Britt would become her muse. What started as child play developed into a serious passion and perhaps even some kind of an obsession for the siblings. They continued to interact in these intimate and playful settings for over…
Weronika Gęsicka: Traces
Fascinated by scientific and pseudoscientific theories, Weronika Gęsicka’s (b. 1984, Poland) projects explore mnemonics and various mechanisms concerning human memory and veracity. Fundamental to her practice is archival material, which she sources from the internet. In her series ‘Traces’, Gęsicka presents playful and lively photomontages created with American stock photographs from the 1950s and 60s.
NEWS GUIDES
Nadine Ijewere: Our Own Selves
Prestel Publishing has just released ‘Our Own Selves’ by Nadine Ijewere (b. 1992, the UK) – a gem that combines fashion with non-conventional beauty. This is the first monograph by the London-based photographer and features both fashion editorials for brands such as Dior, Hermes and Valentino alongside personal works shot in Jamaica and Nigeria. As…
Alessio Pellicoro: Abisso / Abyssus
‘Abisso’ (‘Abyssus’) by Alessio Pellicoro (b. 1994, Italy) provides an unexpected rendering of the shoreline running through Salento – the hometown of Pellicoro, who is experienced in exploring the intimacy of urban landscapes and local traditions of Southern Italy.
Fulvio Ventura: Sagacity
Nearly 50 years after its original release, Italian photographer Fulvio Ventura’s (b. 1941, Turin) long-awaited book ‘Sagacity’ is finally seeing the light of day. Published by The Ice Plant, the monograph is the result of numerous meetings with the author before his death in 2020, and demonstrates Ventura’s expertise in uninterrupted observation.