GUP Magazine Highlights from Rencontres Arles 2024

GUP Magazine Highlights from Rencontres Arles 2024


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GUP Author

By Linda Zhengová


Every summer, the charming town of Arles in Provence transforms into “the place” for photography enthusiasts as the Rencontres d’Arles festival takes center stage. Since its inception in 1970, the festival has showcased over forty exhibitions annually, spread across the city’s historic landmarks. It has become a globally renowned platform for photographic talent and a springboard for creative exploration. This year, GUP Magazine’s team had the pleasure of experiencing the depth of the festival’s offerings at its opening week. Here are some of our standout highlights from this season’s exceptional program.

Nhu Xuan Hua and Vimala Pons. Going Far, Running Aground, 2024. Courtesy of the artists.

Nhu Xuan Hua and Vimala Pons: Heaven and Hell

Église Saint-Blaise | 1 July – 29 September 2024

Nhu Xuan Hua and Vimala Pons’ exhibition, Heaven and Hell, housed in the atmospheric Église Saint-Blaise, transports viewers into an intimate exploration of home as the birthplace of both comfort and challenge. Their photographs are an intricate weaving of memory, identity, and the symbolic weight of objects that populate these domestic spaces. The collection explores how homes shape us and, in turn, how we are always in the process of reinventing ourselves.

What makes this exhibition particularly captivating is the way they use the concept of heroines—drawn from myth, pop culture, and even sports—to reflect how identity is fluid and ever-evolving. They invite visitors into a space of introspection and poetic vertigo, where fragments of memory and reality collide. The duo’s performative approach ensures that each image not only tells a story but resonates with a visceral emotional depth.

Cristina De Middel. An Obstacle in the Way [Una Piedra en el Camino], Journey to the center series, 2021. Courtesy of the artist/Magnum Photos.

Cristina de Middel: Journey to the Center

Église des Frères Prêcheurs | Exhibition closed from 25 August 2024

Cristina de Middel’s Journey to the Center reimagines the harrowing Central American migration route across Mexico, drawing inspiration from Jules Verne’s Journey to the Center of the Earth. De Middel presents migration as a heroic and treacherous journey, contrasting the resilience of those on the move with the absurdity of reaching destinations like Felicity, California—officially dubbed the “Center of the World.”

Through a mix of documentary photography, staged scenes, and archival materials, de Middel crafts a multi-layered narrative that challenges simplistic representations of migration. The final result is both dystopian and deeply human, allowing viewers to contemplate the complexity of migration far beyond the headlines.

Untitled, Time Frames series, 2020-2022. Courtesy of Vasantha Yogananthan

Vasantha Yogananthan: Time Frames

Cloître Saint-Trophime | 1 July – 29 September 2024

In Time Frames, Vasantha Yogananthan presents a visually poetic narrative that reflects his long-term exploration of Provence. The project, Images Imaginaires, focuses on the tension between memory and the passage of time, embodied through characters such as F., a mysterious woman who roams the landscapes with an air of both familiarity and strangeness.

Yogananthan’s images blend past and present in a dream-like fashion, drawing the viewer into an intimate dialogue between the physical world and the interior landscapes of memory. His use of muted tones and atmospheric compositions adds to the haunting quality of the series, making Time Frames a must-see for anyone drawn to photography that quietly unravels layers of narrative.

Mary Ellen Mark. Vashira and Tashira Hargrove, Suffolk, New York, 1993. Courtesy of The Mary Ellen Mark Foundation / Howard Greenberg Gallery.

Mary Ellen Mark: Encounters

Espace Van Gogh | 1 July – 29 September 2024

Mary Ellen Mark’s Encounters offers a retrospective on one of the most compassionate and unflinching photographers of her generation. Known for her deeply humanist approach, Mark’s body of work spans decades and continents, focusing on those often overlooked by society. This exhibition features five of her most significant projects, which delve into the lives of street children in Seattle, sex workers in Mumbai, and institutionalized women in Oregon.

Mark’s ability to connect with her subjects on an emotional level shines through in every image. Her photographs go beyond documentary; they are a testament to empathy, resilience, and the shared human experience. Encounters provides rare insight into Mark’s process, including contact sheets and personal notes that reveal the painstaking care she took in developing long-term relationships with her subjects.

Mo Yi (莫毅). From the series Scenery with Me: A Hint of Red, 2003. Courtesy of the artist / UCCA Center for Contemporary Art.

Mo Yi: Me in My Landscape

La Mécanique générale | 1 July – 29 September 2024

Mo Yi’s Me in My Landscape offers an innovative perspective on street photography, breaking away from traditional techniques. Mo Yi is known for capturing the energy and melancholy of China’s evolving social fabric during the late 20th century. His unconventional approach—often photographing without looking through the viewfinder—challenges the norms of documentary photography, resulting in a raw, immersive experience.

This retrospective presents a selection of Mo Yi’s iconic works, including 1m – The Scenery Behind Me (1988) and I am a Street Dog (1995), as well as his experimental self-portraits. Through these series, Mo Yi defies rigid ideas of composition and authorship, instead embracing the chaos and unpredictability of the streets.

Marine Lanier. The Herbarium #2, Hannibal’s Garden series, 2023. Courtesy of the artist / Espace Jörg Brockmann. Grande Commande Photojournalisme

Marine Lanier: Hannibal’s Garden

Le jardin d’été | 1 July – 29 September 2024

Marine Lanier’s Hannibal’s Garden is a meditation on the intersection of history, nature, and resistance. Set against the breathtaking backdrop of the Lautaret garden—Europe’s highest botanical garden—Lanier’s photographs are infused with an otherworldly quality. Her large-format images evoke ancient myths, as the artist draws parallels between Hannibal’s defiance of Rome and the garden’s resilience in the face of climate change.

Lanier’s work reflects the delicate balance between nature and civilization, as researchers continue to study the effects of global warming on this unique ecosystem. Her poetic imagery serves as both a tribute to nature’s enduring beauty and a call to action in the face of environmental crisis.

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Rencontres d’Arles never fails to bring together an extraordinary range of photographic voices, each offering a fresh perspective on the world around us. From the intimate explorations of identity and memory to the bold reimaginings of migration and environmental resistance, the festival offers something for every visitor. Make sure to experience these powerful exhibitions for yourself and immerse in the magical atmosphere of Arles this summer.

For more information about the festival program, visit the festival’s website here.